Showing posts with label french. Show all posts
Showing posts with label french. Show all posts

Saturday, July 25, 2020

Kruse's Keys: Read "Lives Other Than My Own" to Witness the Power of Being "Seen"

One review of this book noted that you begin thinking this book is about one thing and it ends up being about something totally different.  That's an astute observation as the book begins in the aftermath of the 2004 Sri Lanka tsunami and ends in the aftermath of the death of the author's sister-in-law Juliette from cancer at the age of 33.

In this memoir, French author Emmanuel Carrere takes issue with Fitzgerald's well known assertion that "All life is a process of breaking down" as he peers into the life of Juliette, carefully building a picture of her circling journey from tragedy to love to passion and back to tragedy as her cancer returns to deal its final blow.  And while her body was indeed breaking down--she lived her life fully for her children, her husband, and notably for the French people affected by the country's consumer law. 

Yes, consumer law.  Juliette and her fellow judge devoted their lives to fighting against a French legal system that benefited credit card companies at the expense of the poor working class.  Carrere spends much of the memoir exploring the technical aspects of this battle, chronicling Juliette's setbacks and eventual victories.

Perhaps the author's most poignant observations came as he examined his own relationships against the backdrop of cancer and Juliette's battles.  He noted the power and necessity of connection, stating: "And that is the worst of fates: never to have been seen, never to have been acknowledged.”  The people and couples described in "Lives Other Than My Own" all shared a similar triumph amidst tragedy--having been seen--having been loved.

Key References:
The Scorpion Fish by Nicoloas Bouvier.
Plus loin: mais où? by Beatrix Beck
Mars by Fritz Zorn

See our 202020192018201720162015 and 2014 Reading Lists.

Key Quotes:

Page: 11 Delphine screamed; Jérôme didn’t. He took Delphine in his arms and hugged her as tightly as he could while she screamed and screamed, and from then on he had only one objective: I can no longer do anything for my daughter, so I will save my wife.

Page: 19 Only yesterday evening they were like us and we like them, but something happened to them and not us, so now we belong to two separate branches of humanity.

Page: 24 To live happily, live hidden, as a French proverb says.

Page: 29 The Scorpion-Fish. I’m reading a chapter that describes Matara as a village of particularly redoubtable sorcerers when I come across this sentence: “If we knew how vulnerable it makes us, we’d never dare to be happy.”

Page: 34 age-spotted hand for my old dick that has served her faithfully for thirty years,

Page: 46 Then do it. You’re in a better position to write it than I am. Philippe looked at me skeptically, but within a year he did do it, and did it well.

Page: 47 It did them good to cry because a man and a woman in love who’d believed each other dead had been reunited. It felt good to see these two look at each other and touch each other with such amazement.

Page: 54 Plus loin: mais où? (Farther Away: But Where?). Leafing through it, I came across a sentence that made me laugh, and I read it aloud to everyone: “A visit always brings pleasure—if not when it begins, then when it ends.”

Page: 68 I remembered Fitzgerald’s famous dictum “All life is a process of breaking down,” and there I had to disagree.

Page: 75 Perhaps, quite simply, the desire to be of help. That’s a motive more mysterious to me than plain perversity.

Page: 78 Juliette and I, we were great judges. * * * That phrase, and the way he said it, caught my attention. In his voice I heard incredible pride, a pride filled with both apprehension and joy. I recognized the uneasiness; I can spot it in others, from the back, in a crowd, in the dark: they are my brothers. But the joy mixed in with it—that took me by surprise. You sensed that the man speaking was anxious, emotional, always straining toward something just out of reach—but that at the same time he already had what he needed, that he was grounded in an unshakable confidence. This confidence sprang not from serenity or wisdom or mastery but from a way of accepting his fear and using it, a way of trembling that made me tremble, too, and understand that something important was happening.

Page: 108 In 1976 a book called Mars, by Fritz Zorn, was published. It made a considerable impression at the time, and I’ve since reread it. Here is how it begins: “I am young, rich, and educated, and I’m unhappy, neurotic, and alone … My upbringing has been middle-class, and my life has been a model of good behavior. Naturally, I also have cancer, which goes without saying if you consider what I just told you.” To Zorn, cancer is both a “disease of the body” that will quite probably soon kill him, although he might also defeat it and survive, and “a disease of the soul,” about which he says simply: “I’m lucky it finally made its move.”

Page: 109 And that is the worst of fates: never to have been seen, never to have been acknowledged.”

Page: 112 The Scorpion-Fish, the Nicolas Bouvier book I was reading in Sri Lanka, ends with another line from Céline: “The worst defeat in everything is to forget, and especially what did you in.”

Page: 159 He didn’t try to make himself look good, or bad, either. He played no role, didn’t care what I thought. He wasn’t proud or ashamed of himself. Consenting to be defenseless gave him great strength.

Page: 171 You’re wrong. You should take more advantage. Don’t fall into that trap, don’t drive yourself crazy playing the cripple who’s pretending not to be handicapped. You need to get clear on this, decide that people owe you these little services, and by the way they do owe them to you, and they’re usually happy to do them, happy because they’re not in your position and because helping you reminds them just how happy they are. You mustn’t resent them for it—if you start that you’ll never see the end of it

Page: 194 I hope you’re not about to die, but if you are, you have work to do. You’ve got to tell yourself this and really believe it: Their lives will not end with me. They can be happy even without me. It’s hard but that’s what you have to do.

Page: 223 what would you say to your girls about Patrice? She was having more and more trouble speaking, but she answered immediately: He was my all. He carried me. She paused, then added, He’s the father I chose for you. You, too: choose in life. You can ask everything of him; he will give you everything you ask for while you’re little, and when you’re grown up, you will choose. She thought a moment, then said, That’s it.

Page: 233 One evening, you remember, the four of us went to the theater in Lyon. Juliette and you, Nathalie and I. We arrived first and were waiting for you in the lobby. We saw you enter downstairs, and you carried her up the grand staircase. She had her arms around your neck, she was smiling, and what was beautiful was that she looked not only happy but proud, incredibly proud, and so did you. Everyone watched you two and stepped aside to let you pass. It really was the knight carrying the princess.

Page: 233 It’s funny, now that you mention it, he said, I’ve always liked that, carrying people … Even as a kid, I carried my younger brother. I’d put the little kids in a wheelbarrow and push them, or I’d hoist them up on my shoulders …

Page: 233 On the train back to Paris, I wondered if there was a formula as simple and right as that—he liked to carry, she had to be carried—to define what bound us together, Hélène and I. I didn’t find one, but thought that one day, perhaps, we would.

Page: 242 I’ve sometimes heard it said that happiness is best understood in retrospect. One thinks: I didn’t realize it at the time, but I was happy. That doesn’t work for me. I was miserable for a long time and quite conscious of it. I love my lot in life now

Sunday, September 11, 2016

Houseboy: Loved It Because Oyono crafts a beautiful, tragic and damning tale (Cameroon, 1956)

Houseboy


























Loved It Because Oyono crafts a beautiful, tragic and damning tale about being a "black Frenchmen" in Cameroon.  Indeed, this question of identity is at the center of this tale of a houseboy named Toundi with hopes of assimilation and upward mobility.  With his near to last dying words being the question:  "What are we blackmen who are called French?" one gets the sense that it's not going to end well for the young man.  


And indeed, Oyono's tale runs through the gambit of French colonialism's Potemkin's village of promises as his initial infatuation with French and modernity quickly crumbles under the weight of reality.  Early on he 

justifies his service in the Commandant's house by saying: I shall be the Chief European's boy. The dog of the King is the King of dogs.  It's this false premise that Oyono decimates most pointedly in Houseboy as he takes apart any notion of the benevolence of the French colonizers.  In claiming the mantle of being French, Oyono is imploring his fellow Cameroonians that his fellow blackmen are indeed only animals--dogs--if they accept this rule.  

French Cameroon would gain their independence four years after the novel was published.


*One of my Reading Around the Continent books--the full list is here.
**See our 20162015 and 2014 Reading Lists.

For further study:

Dangers of moonshine persist still today in the countryside of Cameroon



Houseboy by Ferdinand Oyono
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Last annotated on September 6, 2016
'There is no moon,' said my hos t. 'or we would have danced in honour o f your departure. ' 'We could make a bon fire in the cour tyard.' suggested his wife. 'I did Read more at location 6

felt them all watching me with that look of silent com­ passion which our people can give their eyes. Read more at location 7

For the first time in my life I thought of killing my father. I went back Read more at location 17

My mother came to see me that night. She was crying. We cried together. She told me I had done well to leave my father's house and that my father did not love me as a father ought to love his son. She said that she gave me her blessing and that if ever I fell ill I had only to bathe in a stream and I would be cured. Read more at location 18

My mother often used to say, laughing, 'Toundi, what will your greediness bring you to ... ?' My parents are dead. I have never been back to the village. * * * Now I am at Read more at location 19

like stroking the white girls under the chin with the paten I am holding for them while the priest pops the host into the mouths. The houseboy of a priest from Yaounde taught me that trick. It's the only chance we'll ever get of stroking them .... Read more at location 19

Workers forcing out their tears. You could see their contorted faces the difficulty they were having to· make their eyes wet. Read more at location 23

I shall be the Chief European's boy. The dog of the King is the King of dogs. Read more at location 25

No, it can't be true, I told myself, I couldn't have seen prop­ erly. A great chief like the Commandant uncircumcized. He had seemed to me more naked than my fellow Africans Read more at location 33

I was relieved by this discovery. It killed something inside me. . . . I knew I should never be frightened of· the Com­ mandant again.Read more at location 33

This is a native custom that Europeans have as well, taking something for their hosts . Read more at location 35

Akoma is the chief of the Sos. He reigns over ten thousand subjects. He is the only one of the Dangan chiefs who has been to France. He brought back from the journey five gold rings which the Europeans call 'alliances'. He wears them one on each finger of his left hand. He is very proud of his name 'The King of the Rings Read more at location 40

Mengueme is chief of the Yanyans and is highly respected . among his people. He is the only one of the elders who has survived his own generation. He puts on his chief's uniform when he comes to visit the Commandant and takes it off as soon as he is out of the European town. When the Germans made the first war on the French his younger brother was killed fighting the French. When the Germans made the second war on the French his two sons were killed fighting the Germans. 'Life: he says, . 'is like the chameleon, changing colour all the time.' Mengueme has never been overseas. He is wise without travelling. He belongs to the old days. Read more at location 41

An old man with a humped back and a face as deeply wrinkled as the backside of a tortoise opened the door of the truck. Read more at location 44

The children sang, without any pauses, in a language which was not their own or French but the strange gibberish which village people suppose is French and Frenchmen suppose is the vernacular. Read more at location 45

The Commandant moved about with that trace of self­ satisfaction that belongs to a man who knows he has married a beautiful wife. He was so elated that when he called me he said 'I say, Joseph,' which he has never done before. What a difference the love and beauty of a woman can make in the heart of a man! Read more at location 53

'You're a traitor, M. Salvain,' he said, 'a traitor. Ever since you came to this country you have behaved in a way unworthy of a Frenchman� You're stirring the natives up against us. You keep telling them that they are as good as we are - as if they hadn't got a high enough opinion of themselves already . . Read more at location 56

Then they talked about the need for a coup d'etat to re­ generate France. They spoke of their kings, about someone called Napoleon . . . . Everyone was astonished when Madame Read more at location 57

said that the step-father of an Empress they called Josephine was a Negro. Read more at location 58

'You must be serious. Everyone has their posi. tion in life. You are a houseboy, my husband is Commandant ... nothing can be done about it. You are a Christian, aren't you?' 'Yes, Madame, more or less.' 'What do you mean "more or less"?' 'Not very Christian, Madame. Christian because the priest poured water on my head and gave me a European name. ' . 'I can hardly credit Read more at location 61

How can anyone kill or get himself killed over a woman? Our ancestors were wise when they said. 'A woman is a cob of maize for any mouth that has its teeth.' Read more at location 76

M. Moreau is right. we must have hard heads. When Ndjan­ goula brought down his rifle butt the first time, I thought their skulls would shatter. I could not hold myself from shaking as I watched. It was terrible. I thought of all the priests. all the pastors. all the white men. who come to save our souls and preach love of our neighbours. Is the white man's neighbour only other white men? Who can go on believing the stuff we are served up in the churches when things happen like I saw today ... Read more at location 81

It will be the usual thing. M. Moreau's suspects will be sent to the 'Blackman's Grave' where they will spend a few days painfully dying. Then they will be buried naked in the pris­ oners' cemetery. On Sunday, the priest will say, 'Dearly be­ loved brethren, pray for all those prisoners who die without making their peace with God.' M. Moreau will present his up­ turned topee to the faithful. Everyone will put in a little more than he had intended. All the money goes to the whites. They are always thinking up new ways to get back what little money they pay us. How wretched we are.Read more at location 81

'There are two worlds,' said Baklu, 'ours is a world of re­ spect and mystery and magic. Their world brings everything into the daylight, even the things that weren't meant to be ... Well we must get used to it ... We laundrymen are like doctors, we touch the things that disgust ordinary men.'Read more at location 86

'What are we to these whites?' asked the cook. 'Everyone I have ever worked for has handed over these things to the laun­ dryman as if he wasn't a man at all . . . these women have no shame . . .' 'Shame, you talk about . . .' burst out Baklu. 'They are corpses. Do corpses feel shame? How can you talk about shame for these white women who let themselves be kissed on the mouth in full daylight in front of everybody? Who spend all their time rubbing their heads against their husbands' . cheeks or their lovers' more often, sighing, not caring where they are? Who are only good in bed and can't even wash their pants or their sanitary towels ... They say they work hard in their own country. But those who come here . . .'Read more at location 86

The cook had a natural flair for showing respect. You have only to watch him making a bow before Madame or the Com­ mandant. It begins with an imperceptible quivering of the shoulders. This gradually spreads through his whole body. Then his body as if it were under the sway of some mysterious force begins to bend slowly forward. He lets it go, his arms tight against his sides, his stomach pulled in until his head lolls on his breast. At the same time little dimples of laughter appear Read more at location 97

in his cheeks. When he has reached the position of a tree about to topple from the axe, he gives a broad grin . Read more at location 98

'If I were in your place: she said, 'I'd go now before the river has swallowed me up altogether. Our ancestors used to say you must escape when the water is still only up to the knees. ¥lhile you are still about the Commalldant won't be able to forget. It's silly but that's how it is with these whites. For him, you'll be ... I don't know what to call it ... you'll be something like the eye of the witch that sees and knows ... A thief or any one with a guilty conscience can never feel at ease in the presence of that eye . . Read more at location 105

I went back to the refrigerator and took the opportunity when the Commandant was not looking to spit - just a few tiny specks of spittle - into the clean glass I was filling. He drank it down and put the glass back on the tray without looking at me. Read more at location 108

We have our own way of talking. We ask questions and the only answers are other questions. There was a moment of emotion when we met again with the guard looking on. My brother-in-law broke the silence with, 'Where is it all leading to?' and 'What kind of people are we .. . ?' and waving his arms. There was nothing for me to say except just as he was leav­ ing to ask him the same question. Read more at location 121

There are two places that terrify the natives in Dangan. One is the prison and the other is the has.., pitaI. Everyone calls it 'The Blackmen's Grave'.Read more at location 122